不同的讲述方式 共同的文化反思——《余震》与《唐山大地震》的共性分析

Commonality Analysis on Aftershock and Tangshan Earthquake

电影《唐山大地震》改编自小说《余震》,两部作品在人物设置、情节安排及叙事模式上表现出诸多不同,然而作为在各自领域获得较好声誉的两部作品,仍然有一些共性的东西可作为灾难文学可资借鉴的经验。身份认同、内在价值追求与艺术表现手法的高度契合,在很大程度上成就了小说与电影在各自领域的声誉。与此同时,不论《余震》从个体的层面出发,还是《唐山大地震》从群体的层面出发,将现实关怀深入到更隐秘丰富的内心世界,突破伦理道德的肤浅表达和意识形态的简单图解,在灵魂的自省以及文化的反思中,释放其应有的艺术张力和社会功效,是灾难文学普世性价值及其主体性建构的理性之路。

The movie Tangshan Earthquake is adapted from the novel Aftershock. The two works show many differences in character set, plot and narrative patterns. However, as two works that have gained a good reputation in their respective fields, there are still some commonalities which can be used for reference in disaster literature. A high degree of agreement between self-identity and pursuit of intrinsic value and artistic expression, to a large extent, these agreement has made the reputation of novels and films in their respective fields. At the same time, regardless of Aftershock, from the individual level, or Tangshan Earthquake, from the group level, how to go deeper from reality to a more secretive psychological world, break through the superficial expression of ethics and the simple diagram of ideology, and release its due artistic tension and social efficacy in soul introspection and cultural reflection, is the rational path for the construction of universal value and subjectivity in disaster literature.