场域视角下水族端节的文化展演与传承研究——以贵州三都县高丰端坡为例

Cultural Exhibition and Inheritance of Shui People's Duan Festival from the Perspective of Field: Taking Gaofeng Duanpo,Sandu County,Guizhou Province as an Example

布迪厄把场域看作由错综复杂的客观关系构成的系统,场域中的主体具有一定的实践理性。由于资本的流动、惯习的形塑,场域也处于一个动态的变化之中。在现代化浪潮的冲击下,社会的客观环境发生了改变,传统文化正在经历着不同程度的变迁,水族端坡的民俗文化场域也未能幸免,传统的赛马活动、文娱演出等融入了更多现代化因素,场域的资本流动更加多元。水族传统民族文化在端坡场域中得到了传承,但是也面临一些目前可见以及未来长期发展中潜在的危机。

Bourdieu regards the field as a system of complex and objective relationships, and the subject in the field has certain practical rationality. Due to the flow of capital and the shaping of habits, the field is also in a dynamic change. Under the impact of modernization, the objective environment of society has changed, traditional culture is undergoing varying degrees of change, and the folk culture field of the Shui People has not been avoided. Traditional horse racing activities and cultural performances have been integrated with the factors of modernization, the capital flow of the field is more diverse. What needs to be affirmed is that the traditional culture of the Shui People has been passed down in Duanpo field, but it also faces some potential crises in the current and long-term development in the future.