俄罗斯浪漫曲钢琴伴奏创作的发展与成熟——以A·鲍罗丁浪漫曲钢琴伴奏创作为例

On Russian Romantic Piano Accompaniment Development:Taking A. Borodin as an Example

俄罗斯浪漫曲发展到格林卡时代,作曲家开始注重歌曲伴奏的作用;之后的作曲家一致认为伴奏应该具有独立的功能性的意义。A·鲍罗丁在声乐浪漫曲方向的创作只有16首,却囊括了俄罗斯浪漫曲声乐题材的主要内容,极具代表性。A·鲍罗丁在童话、叙事、抒情、悲歌等风格的浪漫曲创作中,充分发挥了钢琴伴奏功能的独立性、交响性、旋律性与庄重性,标志着俄罗斯浪漫曲钢琴伴奏的成熟。

With the development of Russian romance into Glinka era,composers began to pay attention to the role of song accompaniment,and since then,agreed that accompaniments should have independent functional significance.Alexander Borodin only created 16 pieces of vocal romance music,however inchuding,the main content of Russian romance theme.In different styles of romantic songs such as fairy tale,narration,lyrical and tragic songs,Alexander Borodin fully exerts the independent,symphonic,melodic and solemn function and significance of piano accompaniment.It labels the maturity of the piano accompaniment of Russian romance.