摘要
朱光潜是中国现代审美学学科创建人和奠基者。他在长达半个多世纪的美学研究中,率先引入西方近代美学方法,构建了以审美经验为核心的美学研究模式;通过中西融合互补,建立了中国现代第一个较完整的美感心理学说;学习运用马克思主义意识形态理论和实践观点,对美感经验和审美活动作出新的分析和解释。从学科建设角度审视其学术贡献和尚存问题,对中国特色现代审美学理论和话语体系建设具有重要参考作用。
Zhu Guangqian is one of the founders of the discipline of the aesthetic in modern China. He had pioneered the introduction of modern Western aesthetic methodology and constructed a research model for aesthetics centered on aesthetic experience in his half-century academic career. Through the integration of Chinese and Western aesthetic ideas, he established the first well-articulated theory of aesthetic psychology. He also raised a set of new analysis and interpretation of aesthetic experience and activities in the light of Marxist theory of ideology and practice. A critical examination of his scholarship is of significance for disciplinary construction of a modern aesthetic theory and discourse system with Chinese characteristics.
出处
《中国文学批评》
CSSCI
2019年第1期4-10,157,共8页
Chinese Journal of Literary Criticism