摘要
在电子媒介时代,文学经典存在方式由神圣高雅走向交互通俗。这为文学经典在当代的传播与发展带来了新的机遇,但同时也导致了文学经典去经典化与被边缘化的隐忧。文学经典在传播与接受过程中出现交互化、影像化、碎片化特点,进一步导致了文学经典的泛审美化。这呼唤着我们明确文学经典的标准,坚持正确的文学审美原则,并充分利用电子媒介的力量,为文学经典的存在与发展带来新的可能性与阐释空间。
In the age of electronic media, the literary classics existed from sacred elegance to interaction. It brings new opportunities for the literary classics to spread and develop in the contemporary, but also leads the literary classics to the classic and marginalized concerns. The literary classics have the characteristics of interaction, visualization and fragmentation in the process of communication and acceptance, which further leads to the generalization of literary classics. This calls for us to clarify the standards of literary classics, adhere to the correct literary aesthetic principles, and make full use of the power of electronic media to bring new possibilities and interpretation space for the existence and development of literary classics.
作者
韩宇瑄
HAN Yu-xuan(Zhejiang University,Hangzhou 310028,China)
出处
《南华大学学报(社会科学版)》
2019年第1期93-98,共6页
Journal of University of South China(Social Science Edition)
基金
教育部人文社科研究一般项目"早期全球化语境与近现代中国文学‘中国形象’研究"资助(编号:12YJA751023)
关键词
电子媒介时代
文学经典
特点
反思
the age of electronic media
literary classics
characteristics
reflection