摘要
中国软硬电影理论之争在当时的社会语境里,很快地由学术理论之争而变为阶级意识形态的主张斗争。这种影响持续到当代学者对软硬电影理论之争的研究之中,从而形成了三个维度。针对1979年到2018年大陆对软硬电影理论之争研究的主要学术成果进行梳理与阐述,并对软性电影论者所拍摄影片的复原和读解、理论论争的结果对中国电影艺术的发展所造成的电影观念上的影响等问题做出相应的反思。
In the social context of that time, the theory of soft and hard film in China quickly changed from academic theory to class ideology. This kind of influence continues to the contemporary scholar ’s research on the theory of hard and soft film, thus forming three dimensions. From 1979 to 2018, the main academic achievements of the theory of hard and soft films in China's Mainland are selected, and restores and interprets the films made by soft film theorists. The result of theoretical debate reflects on the influence of the development of Chinese film art on the concept of film.
出处
《浙江艺术职业学院学报》
2018年第4期52-56,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
软性电影论
左翼电影运动
电影理论
新感觉派小说
soft film theory
left-wing film movement
film theory
New Sensationalism novels