顾凝远“诗瘦阁”刻书及其《画引》版本考

Gu Ningyuan's Engraving and Editions of Guidance of Painting Thought

明朝苏州私刻盛行,顾凝远设"诗瘦阁"以刻书,其中《画引》为其自撰并刊刻,集中体现了其绘画思想。然由于《佩文斋书画谱》所录不全,故后世研究者多以为《画引》仅七则。现存民国吴辟疆所刊印之《画苑秘笈》将《画引》三卷全部收录。通过考察顾凝远与其"诗瘦阁"刻书,及《画引》各版本比较,可进一步明晰《画引》实貌,为研究晚明绘画与画论者以助益。

In the Ming Dynasty, private engraving was prevalent in Suzhou.Gu Ningyuan set up “Poetry Slender Cabinet” to engrave books. Among them, Guidance of Painting Thought was written and printed by himself, which embodied his painting thoughts. However, due to the incomplete records in Pei Wen-zhai ’s Book of Paintings and Calligraphy , later researchers mostly thought that there were only seven items in Guidance of Painting Thought .All three volumes of Guidance of Painting Thought are included in the published Secret of Painting Thought by Wu Pijiang of the Republic of China.By investigating Gu Ningyuan and his “Poetry Slender Cabinet” engraving, and comparisons of different editions of Guidance of Painting Thought ,the real appearance of Guidance of Painting Thought is clarified, which is helpful for the study of painting and painting theorists in the late Ming dynasty.