《论诗》与郭沫若新诗理论的建构

The Construction of On Poetry and Guo Moruo’s New Poetry Theory

郭沫若的《论诗》是新诗理论的重要文献,对认识新诗文体建构时期的理论观念具有重要意义,是郭沫若从诗的觉醒到作诗,从作诗再到论诗的感性到理性的发展过程的集中体现。《论诗》首先涉及到新诗创作中新诗人的诞生的问题,认为诗人应当是那种天才式的人物,诗人能够成为真正的"人"才能有作诗的资格。郭沫若从诗人的精神世界的探求中寻找新诗文体的韵律,将诗人的心境与新诗文体联系起来,从诗人的情感与心理世界的变化中探寻新诗韵律,从宇宙万物的自然现象中寻找诗的韵律,并最后完成新诗哲学的美学建构。

Guo Moruo's On Poetry is an important literature of new poetry theory. It is of great significance for understanding the theoretical concept of the construction period of new poetry. It is Guo Moruo's development process from poetry awakening to poetry writing, and continue to sublimate perceptual into rational. On Poetryfirst involves the birth of new poets in the creation of new poetry. It is considered that the poet should be the kind of genius, the talented person and the poet are equal, and the poet can be the real"person"so that he is qualified for poetry. Guo Moruo searches for the rhythm of new poetry from the perspective of the poet's spiritual world. He connects the poet's mood with the style of new poetry. He explores the rhythm of new poetry from the changes of the poet's emotion and psychological world, finds the rhythm of poetry from the natural phenomena of all things in the universe, and finally complets the aesthetic construction of the philosophy of new poetry.