社会符号学视角下中国山水画的多模态话语分析——以南宋马远的《踏歌图》为例

Social Semiotic Approach to Multimodal Discourse Analysis of Chinese Landscape Painting——A Case Study of Ma Yuan's Ta Ge Tu

中国山水画是由水墨画和诗文共同构成的多模态诗画语篇,目前从多模态话语分析视角对中国山水画的研究还尚不多见。有鉴于此,本文以Halliday的系统功能语法和Kress&van Leeuwen的视觉语法框架为理论基础,分别从视觉符号和言语符号对马远的山水画《踏歌图》进行了多模态话语的社会符号学分析。分析表明,该山水画中图像与文字作为社会符号的表意功能,共同实现了诗画语篇整体意义的建构。本文旨在帮助读者从多模态视角客观全面地理解中国山水画,以期提高读者的多元识读能力。

Chinese landscape painting,consisting of pictures and poems,belongs to a typical multimodal discourse which includes visual and verbal modes.However,the application of multimodal discourse analysis to Chinese landscape painting is still rarely seen.Considering that,this paper conducts a multimodal discourse analysis of Ma Yuan's landscape painting Ta Ge Tu from the perspective of social semiotics based on the Kress & van Leeuwen's visual grammar and Halliday's Systemic Functional Grammar which aims to provide readers with a new perspective to understand and appreciate Chinese landscape painting and improve their multiliteracy.