沛然赋流形——李斌瓷胎珐琅艺术的现代表现形式研究

On the Profoundness Behind the Painting Lines——A Study on the Forms of Li Bin's Modern Enamel Artistic Expression

李斌现代瓷胎珐琅,一改珐琅的繁复杂艳,剔繁为简追求纯净超然。人生与为艺,就是一个参禅过程。顿悟间,感受其艺术体验、艺术构思和艺术表达,从而领悟到李斌的陶瓷艺术作品把中国陶瓷工艺美术从技术上升到艺术和哲学。本文聚焦李斌瓷胎珐琅系列作品,探析其充满哲思的独特艺术语言,李斌用自己特殊的艺术语言,不仅复活了珐琅的传统工艺之精美,更是让"瓷"超越工艺回归绘画艺术本身,以一种强烈的现代意识表达自己对自然和生命的感悟。珐琅彩瓷只是一个特殊载体,艺术形式只是一媒介,李斌瓷胎珐琅艺术的现代表现形式蕴育的强烈生命意识及融合中西立于天地的宇宙观,沛然赋流形,让笔者深深感受到其面对当下赋有的使命意识和浩然正气。

In Li Bin's modern enamel works, what he pursues is simplicity, elegance and natural sense. In Li Bin's opinion, the art is just like the life, which is also a meditation process. So, it is quite possible that the artistic experience, artistic conception and artistic expression could be felt fully in a sudden enlightenment. Likewise, it can be understood that Li Bin's ceramic art works have elevated Chinese ceramic arts and crafts from the technical level to that of art and philosophy. This paper focuses on Li Bin's enamel works, discussing his unique artistic language full of wise thought. It reveals that Li Bin, with his distinctive artistic language, not only revived the fineness and elegance of our nation's traditional handicraft, but also moved the "porcelain" processing up to the level of painting art well beyond the handicraft, and that Li Bin is actually trying to use his strong modern consciousness to express his feelings towards the nature and life. Besides, the author suggests that because enamel color porcelain is merely a special carrier, and art form is just a medium, it could be concluded from Li Bin's works that the modern form of Li Bin's enamel artistry presents an intensified sense of life and integration of the world view in the east and west:everything may contains profound ideas in it, which gives a perfect interpretation for his grand righteousness and mission awareness in the current case.