摘要
近年来针对傩文化的研究,大体沿着三种路向进行:或蒐集文献,考镜源流;或潜心田野,征利仪式;或诸学杂糅,广延内涵。本文以古今傩事举行和演出的场所为考察中心,从文献资料和实地调查里勾取一条空间变化轨迹,展示傩事从流动趋于静止、从驱鬼走向谀神、从仪式化成表演的内质蜕变,试图表现傩文化的层积现象。
There are generally three ways to conduct the study of Nuo culture in recent years:whether to research literatures for origins,or to carry out field investigations for rites,or to integrate diverse studies for extensions.This paper investigates the site where Nuo performance is held to display the cultural deposit of Nuo culture through its evolution with literatures and investigations focusing on its essential changes.
出处
《贵州大学学报(艺术版)》
2019年第1期49-54,107,共7页
Journal of Guizhou University Art Edition
基金
山西省研究生教育创新项目"江西万寿宫演剧研究"