摘要
从设计美学视角对清代服饰纹样"喜相逢"进行深度分析,总结了其对称均衡、阴阳和谐的审美特征和圆满吉庆的象征意义,以及独特的审美意境,对中国服饰纹样史的深入研究与设计重构起到了积极的促进作用。
From the perspective of design aesthetics,the Qing Dynasty costume pattern of"meeting with joy"was analyzed. The aesthetic characteristics of symmetrical balance and harmony of Yin and Yang,the symbolic significance of a successful and auspicious celebration,as well as the unique aesthetic mood were summarized. It played a positive role in promoting the in-depth study and design reconstruction of Chinese costume pattern history.
作者
赵丹彤
ZHAO Dan-tong(Wuhan Textile University,Wuhan 430073,China)
出处
《纺织科技进展》
CAS
2019年第2期21-24,共4页
Progress in Textile Science & Technology
基金
2017年湖北省高等学校省级教学研究项目(2017346)
2018年度武汉纺织大学科技创新计划项目(183049)
关键词
设计美学
清代
“喜相逢”纹样
服饰图案
美学内涵
design aesthetic
Qing dynasty
“meeting with joy”pattern
costumes pattern
aesthetic connotation