从《漂泊的荷兰人》看瓦格纳歌剧中的“女性救赎”主题

The "Female Redemption" Theme in Wagner's Operas through The Flying Dutchman

"救赎"作为基督教教义的核心观念,逐步沉淀为西方根深蒂固的文化传统,从外在的宗教仪式转变为艺术上的创作理念,在19世纪歌剧创作中广泛反映和集中体现出来。本文从19世纪与救赎主题相关的众多歌剧中选择瓦格纳的《漂泊的荷兰人》作为研究对象。论文旨在音乐文本分析的基础上探寻文本形态与救赎主题之间的关联,论述"女性救赎"主题如何在瓦格纳歌剧中得以确立并不断发展,理解主题背后所蕴含的创作动机,并进一步阐释主题所体现的时代特征与文化意义。

As the core concept of the Christian doctrine,"salvation" has been gradually precipitated into the deep-rooted cultural tradition in the west and transformed from external religious ceremony into artistic creation concept,which was widely reflected and intensively embodied in the opera writing in the 19th century.This article chooses Wagner's The Flying Dutchman as the object of study from the numerous operas related to the theme of redemption in the 19th century.It attempts to explore the relationship between the text form and the theme of redemption on the basis of music text analysis,discusses how the theme of "female redemption" can be established and continuously developed in Wagner's operas,understands the creative motivation behind the theme,and further explains the characteristics of the era and the cultural significance of the theme.