聂耳音乐的接受美学研究——以音乐评论者、音乐创作者视角为例

Studies on the Reception Aesthetics in the Music of Nie Er

以"读者/接受者"为中心,是接受美学的核心特质。而不同"接受者"所附带的不同的"接受视野"又决定着接受结果的不同。聂耳及其音乐的接受美学研究旨在更为全面地透析不同时期音乐的审美特征及其与时代特征的联系。以聂耳音乐的传播为基础,纵向梳理音乐评论者与音乐创作者对聂耳音乐的接受过程,结合不同时期的时代背景、音乐经验分析聂耳音乐接受者的审美意识与接受嬗变,勾勒出聂耳音乐的接受概貌。

Taking "reader/receiver" as the center is the core characteristics of the Reception Aesthetics. The different "receiving horizons" attached to the different "receivers" determine the different results of acceptance. The research on the Reception Aesthetics of Nie Er and his music aims at a more comprehensive analysis of the aesthetic characteristics of music in different periods and its relation to the characteristics of the times. Based on the dissemination of Nie Er's music, this essay attempts to comb through the acceptance process of Nie Er's music by music critics and composers in order to outline a full picture of acceptance from the whole society of Nie Er’s music by examining the background of different periods.