“欲望香港”与后革命转移:流行文化的视角

Desiring Hong Kong and the Post-revolutionary Transformation:A Popular-culture Perspective

香港流行文化作为“后革命”时代中国内地的欲望,与全球资本主义意识形态和中国内地现代化论述之间,既是一种合作,又是一种潜在的颠覆关系。它在看似僵硬的“内部”结构了一个抗衡主流话语的空间,映现出中国内地社会文化的异质互动,并参与了“后革命”时代中国内地文化社会的转型。此时期中国内地民众对北上的香港流行文化的想象和重组,构成了一个文化协商的过程。这个过程赋予玛丽·路易斯·普拉特意义上的“文化交汇”以别样的内涵。

The relation between the popular culture of Hongkong as the desire of mainland,the global capitalism ideology and the discourse of official modernization of China in the post-revolutionary age is not only cooperative,but also subversive.It constructs a space that countervails the mainstream discourses in the seemingly orderly inner,reflects the interaction of the multiple social cultures in China,and joined the transform process of social cultures in China.The imagination and reconstruction of the northward popular culture of Hongkong by the people in China are a process of cultural negotiation that entrusts a different meaning to the concept of transculturation of M.L.Pratt's sense.