摘要
从接受角度看,《水浒传》从故事的形成、到文本的出现以及明代之后各种艺术形式的改编,经历着一个动态的漫长审美过程。元代凸显敢于反抗、除暴安良的英雄;明代在商业发展和启蒙思潮下金钱与性情渗入其中;清代在曲艺中更多的是趋向娱乐;新时期在文化视野和影视中彰显着当代价值。
From the perspective of acceptance,The Water Margin has undergone a dynamic and long process from the formation of the story to the emergence of the text and the adaptation of various artistic forms after the Ming Dynasty.The works in the Yuan Dynasty highlighted the heroes who dared to resist and fight against violence.Money and sex infiltrated into the texts under the trend of business development and enlightenment in the Ming Dynasty.The Qing Dynasty tended to entertain more in folk arts,and the new era shows contemporary value in cultural vision and films and plays.
作者
胡海燕
HU Hai-yan(Fenyang Normal School Branch,Lvliang University,Fenyang Shanxi 037003,China)
出处
《菏泽学院学报》
2019年第1期15-18,共4页
Journal of Heze University
关键词
接受美学
侠义英雄
性情
acceptance aesthetics
chivalrous heroes
temperament