莎士比亚纯真女性在现当代中国的接受与流变

On the Reception and Variation of Shakespeare's Innocent Women in China

运用词频分析工具CiteSpace对1949年至2017年间刊发在中国知网且与莎士比亚纯真女性相关的学术期刊论文进行量化统计,数说中国评论家读者对莎士比亚纯真女性的接受状况;并运用比较文学接受研究理论,阐释莎士比亚纯真女性从"人文主义真女性"、"爱情至上的忠贞女性"到"勇敢的女性主义者"的形象建构过程及其成因,揭示中国女性文化对莎剧女性形象的改造过程。

Using Citespace,this paper makes a statistic survey of the journal papers about Shakespeare’s innocent women published on the CNKI from 1949 to 2017,and discusses the acceptance to Shakespeare’s innocent women by Chinese critics and readers.Based on the reception theory of comparative literature,this paper explains the process and causes of the image construction of Shakespeare’s innocent women from The Humanist Women,The Virtuous Women for Love to The Brave Feminist Fighter,and reveals the transformation process of Chinese women’s culture to the female image of Shakespeare’s plays.