唐传奇中侠女遁世归宿的文化意蕴

The Cultural Implication of the Chivalrous Women Retiracy Ending in the Legends of the Tang Dynasty

自唐传奇开始,侠女形象就为传奇作家们所关注并且成批量地涌现。她们身份各异,或是婢女,或是商女,或是将女,还有江湖之女,但都武艺高超、胆识过人,表现出洒脱豪迈、自由张扬的精神气质。然而她们最终都选择了功成身退,归宿多为"不知所止"。《红线》《聂隐娘》《贾人妻》等7篇以侠女的生平经历及归宿为主要描写内容的唐传奇作品折射了女性自主意识、道教文化以及文人心态等对她们人生结局的影响。

Since the beginning of the legend of the Tang Dynasty,the image of the chivalrous women has been paid attention to by legendary writers and has emerged in batches.Although the chivalrous women are quite different identities, some of them are servant girls, some of them are daughters or wives of merchants, some are girls of rivers and lakes, and some are daughters or wives of generals, they all have superb skills in kungfu and they are full of wisdom and bravery, who are depicted as a group with free, easy and less feminine in behavior. They also show the unique individuality spirit. However, they all eventually choose to retire in time after winning merit, and without exception they have a similar ending: no one knows their final results. The seven legendary works of Tang Dynasty, such as Hong Xian, Nie Yinniang and Gu Ren’s Wife, which mainly describe the life experiences and fates of chivalrous women, reflecting their retiracy ending influenced by women’s self-determination, Taoist cultural and literati mentality on their life endings.