摘要
在大江健三郎几十年的小说创作生涯中,他视野始终聚焦于处于社会边缘的人物形象,凸显出日本二战后受美国资本主义影响的社会底层民众生存状况。透过各色各样的边缘人的悲惨生存境遇,表现了边缘人在现代社会困境中的躁动与不安,来研究寻找突破现代文化危机的出路,体现了作家对人类苦难的探索与思考,凝结着其人道主义、人文民主主义的人格追求。诺贝尔文学奖评委会主席歇尔·耶思普玛基在对大江给予高度评价:通过大江小说中创作的"模特儿",可以了解日本过去和现在两种文化冲突下人类的微妙处境。
In Oe Kenzaburo’s decades of novel writing career,his vision has always been focused on the marginalized characters,highlighting Japan’s social underclass living conditions after World War II by the influence of American capitalism. Through the plight of all kinds of marginalized people,it shows the restlessness and anxiety of the marginalized people in the predicament of modern society,to study the way out of the modern cultural crisis. It embodies the writer’s exploration and thinking about human suffering,and condenses the writer’s humanitarian and democratic personality pursuit. Miehel Yethpmaki,chairman of the jury of the Nobel prize for literature,gave a high appraisal of the characters created in Oe Kenzaburo’s novels: Through the “model” created in Oe Kenzaburo’s novels,we can learn about the delicate situation of mankind in the past and present cultural conflicts of Japan.
作者
张华英
Zhang Huaying(Hebei College of Industry and Technology,Shijiazhuang,Hebei,050091)
出处
《语文学刊》
2019年第2期109-113,共5页
Journal of Language and Literature Studies