周作人与“百草园”——以《鲁迅的故家》中第一人称叙述为视角

Zhou Zuoren and “The Hundred-Plant Garden”——From the Perspective of the First-person Narrative in Lu Xun’s Former Residence

周作人与"百草园"的渊源由来已久,1951年"百草园"专栏的发表,是其面对作为强势存在的鲁迅来构筑回忆的集中表现,折射出周作人1950年以后与鲁迅的关系。叙述者话语本身成为一个值得深思的话题,通过对比《鲁迅的故家》与《朝花夕拾》中的第一人称叙述,厘清"我""我们"的具体使用情况,揭示二人的共生与独立关系。透过周作人"百草园"叙述中"自我"的隐身与强调的矛盾形态,探讨周作人"回忆文"中的叙述主体性问题。

The relationship between Zhou Zuoren and “The Hundred-Plant Garden” has a long history, and the publication of “the Hundred-Plant Garden” column in 1951 was the concentrated expression of his efforts to construct memories in the face of Lu Xun as a strong presence, which reflected the relationship between Zhou Zuoren and Lu Xun after 1950. The narrator’s discourse itself has become a topic worth pondering. By comparing the first-person narration in Lu Xun’s Former Residence and Dawn Blossoms Plucked at Dusk, this paper clarifies the concrete use of “I” and “we” and reveals the symbiotic and independent relationship between Zhou Zuoren and Lu Xun. Moreover, this paper also discusses the narrative subjectivity in Zhou Zuoren’s “reminiscences” through the invisibility of “self” and the contradictory form of emphasis in Zhou Zuoren’s “The Hundred-Plant Garden”.