摘要
莫言于2018年1月推出了小说新作《等待摩西》《诗人金希普》和《表弟宁赛叶》。这三个短篇小说以集束方式出现,不同于以往作品的众声喧哗、汪洋恣肆,从故事内容、人物设置到形式架构、语言叙述都呈现出节制、准确、精到的特性,而化繁为简之后的文本却仍然蕴含着丰赡的思想与美学容量。从民间化的历史叙事到虚实相生的叙事形式再到戏剧性的意象构建,莫言以素朴的叙事话语获取了深邃的精神内核,使故事文本凝聚成有"余味"的叙事,成为了一种寓言。
In Jan. 2018, Mo Yan published his new works -Waiting for Moses, The Poet Jin Xipu and The Cousin Ning Saiye. These three short stories appear in a cluster way, which is different from his boisterous and unrestrained works in the past, and they are characterized by moderation, accuracy, and precision in terms of the story content, the character arrangement, the formal structure and language narrative. However, the simplified texts still contain abundant ideological and aesthetic capacity From the folk historical narrative through the virtual and real narrative form to the dramatic image construction, Mo Yan has acquired a profound spiritual core with a simple narrative discourse, thus having rendered the narrative text into both a narrative with “aftertaste” and a kind of fable.
作者
李桢
LI Zhen(Research Center for New Chinese Literature, Nanjing University, Nanjing 210046, China;School of Liberal Arts, Guangxi University, Nanning 530004, China)
出处
《海南师范大学学报(社会科学版)》
2019年第1期44-50,共7页
Journal of Hainan Normal University(Social Sciences)
基金
教育部人文社会科学重点研究基地重大项目"社会启蒙与文学思潮的双向互动"(项目编号:16JJD750019)中期成果
江苏省社科基金重点项目"中国现当代文学学术史研究"(项目编号:13ZWA001)中期成果
关键词
莫言
历史叙事
叙事形式
意象
Mo Yan
the historical narrative
the narrative form
images