摘要
莫言小说中女性人物的塑形过分强化了人的自然属性——原始欲望,致使人物被物化、异化,作为人的主体意识、社会属性严重流失,作者"对抗强权"与"人性解放"的创作意图被欲望的书写所搁置,由此不可逆转地凸显了人性的退化。莫言小说中女性人物的塑形过程透露出了"种的退化"的趋势与"种"的救赎的无望。
The delineation of female characters in Mo Yan’s novels has over-emphasized the natural attribute of human beings-the primitive desire, which has led to the materialization and alienation of the characters and the serious loss of the subjective consciousness and social attributes of human beings. The author’s creative intention of “combating power” and “liberating human nature” is set aside by the writing of desire, thus having irreversibly highlighted the degradation of human nature. The delineation process of female characters in Mo Yan’s novels reveals the trend of “degradation of species” and the hopelessness of “species” redemption.
作者
詹金沄
ZHAN Jin-yu(School of Liberal Arts,Hainan Normal University,Haikou 571158,China)
出处
《海南师范大学学报(社会科学版)》
2019年第1期57-63,共7页
Journal of Hainan Normal University(Social Sciences)
关键词
莫言小说
女性
塑形
人性退化
Mo Yan’s novels’ females
delineation
the degeneration of human nature