摘要
作者对曹禺戏剧作品《日出》《原野》《蜕变》《北京人》中的舞台指示进行了考察,指出舞台指示并不局限于道具准备,其内容还涉及状况说明、背景介绍以及各种暗喻与象征性描写。曹禺的戏剧不仅是用于演绎的剧本,更是为了“阅读”写作而成的。此外,本文进一步探讨了曹禺戏剧舞台指示的影响来源,并指出剧中的舞台指示与萧伯纳、奥尼尔等人的舞台指示之间没有显著的影响关系。
The author has observed the stage directions of Cao Yu s plays,such as Sunrise,The Wilderness,The Metamorphosis and Peking Man,and pointed out that the stage directions are not limited to the preparation of props,even involves the description of situation,background,and all kinds of metaphors.Cao Yu s plays are not only for deductive plays,but also for“reading”.In addition,the paper has also investigated the source of influence about the stage directions of Cao Yu s plays,and points out that the stage directions do not close to the stage directions of George Bernard Shaw and Eugene O Neill.
作者
白井啓介〔日〕(著)
李木子(译)
梁艳萍(校)
Keisuke Shirai;Li Muzi;Liang Yanping(Bunkyo University;Guangdong University;Hubei University)
出处
《中文论坛》
2018年第1期220-247,共28页
Forum of Chinese Language and Literature
