论传记电影《黄金时代》对萧红形象的新塑造

On the Portrayal of Xiao Hong's New Image in The Golden Era

在众多关于萧红的传记和影视作品中,2014年电影《黄金时代》引发最大争议和广泛评论,电影《黄金时代》里的萧红,同真实存在过的她有着不小的距离,然而,与身处这一时代都市文艺青年群体仿佛只隔了一个银幕,萧红个人的漂泊经历与当代文化形成了某种穿越时空的共鸣。这里,以电影《黄金时代》中萧红的日常生活形象为视角,借影片《黄金时代》的银幕再现,分析她的经历、社交、性格、时代等方面及其以上诸方面与"萧红文学"的内在关系,并分析其在21世纪全球文化语境中的现实意义。

In many biographies, films and works about Xiao Hong, the film The Golden Era in 2014 caused the most controversy and extensive comments. Xiao Hong in the film is different from her in real life. However, the urban literary youths in this era seem to be separated only by one screen in today. Xiao Hong’s personal drifting experience and the current culture have formed some intertextuality through time and space. Based on the image of Xiao Hong’s daily life in The Golden Era , this paper analyzes her experience, communication, character, era ect, explores the inner relationship between “Xiao Hong Literature” and The Golden Era and analyzes their practical significance in the global cultural context of the 21st century.