阿多诺对前卫艺术创作技法的批判

On Adorno's Critique of Avant-garde Art Creation Techniques

艺术的二重性决定艺术的社会性在于艺术的反社会性,即站在社会的对立面。在论述了艺术自律、自律与他律的关系之后,阿多诺将艺术与社会关系的核心归结为形式。形式使艺术作品得以存在,通过形式,艺术可以反抗社会现实和传统抑制,同时,以形式为中介,艺术作品获得自我批判和反思自身的前提。因此,在阿多诺的观念中,形式的审美整一性是自律艺术不可或缺的条件和现代艺术介入社会的最佳中介。从维护具有整一性审美形式的现代艺术立场出发,阿多诺批判以介入为旨趣的前卫艺术和受商业逻辑支配的文化工业。

The duality of art determines the social nature of art lies in the anti-social nature of art, that is, standing on the opposite side of society. After discussing the relationship between art self-discipline, self-discipline and other laws,Adorno attributes the core of art and social relations to the form of art. The form makes art works possible. Through the form, art can resist social reality and traditional suppression. At the same time, with the form as the intermediary,art works get the premise of self-criticism and reflection. Therefore, in Adorno’s concept, the aesthetic unity of form is the indispensable condition of self-discipline art and the best intermediary for modern art to intervene in society. From the standpoint of maintaining a modern art with a holistic aesthetic form, Adorno criticizes the avant-garde art with the purpose of intervention and the cultural industry dominated by commercial logic.