伊莎多拉·邓肯其人其艺在民国时期的传播与接受——以《邓肯自传》为中心

Dissemination and Acceptance of Isadora Duncan and Her Art in the Period of the Republic of China: A Case Study on My Life

美国现代舞的先驱伊莎多拉·邓肯其人其艺在民国时期的传播与接受,早已超越了舞蹈领域,成为一幕颇具意味的文化现象。20世纪初,裕容龄曾一度师从伊莎多拉·邓肯习舞并初步领略其舞艺风采,但国人开始更多知晓了解伊莎多拉·邓肯其人其艺,和《邓肯自传》一书的译介传播有着密切的关系。文章通过挖掘和梳理相关史料,发现民国社会各界通过《邓肯自传》而形成的对伊莎多拉·邓肯其人其艺的认识,具有思想解放、女性独立、个性自由、革命情怀、身体教育、艺术大众化、舞技创新等多重"视野",而多重"视野"的形成取决于特定历史阶段中不同社会阶层人士的社会实践和审美体验的双重实现。

Isadora Duncan is the pioneer of American modern dance. The dissemination and acceptance of her art in the period of the Republic of China has already transcended the dance field and become a significant cultural phenomenon. In the early 20,h century, YU Rong-ling once learned dance from Isadora Duncan and began to appreciate her dance style. However, Chinese people began to know more about Isadora Duncan and her art was closely related to the translation and dissemination of her autobiography My Life. By excavating and sorting out relevant historical materials, this paper unveils the understanding of Isadora Duncan and her art through My Life by people from all walks of life in the Republic of China era. This understanding has multifaceted "vision" for ideological emancipation, female independence, individual freedom, revolutionary passion, physical education, art popularization and dance technique innovation, etc. The formation of this M visionn depends on the dual realization of social practice and aesthetic experience of different social classes in specific historical phase.