摘要
袖舞作为中国古典舞训练体系中的重要组成部分,它不仅是徒手身韵的延伸,也是服饰道具舞蹈的基础。经过多年的教学经验积累与舞台实践,袖舞在身与袖的关系上取得了一定成果,但是双袖之间的袖法配合,袖法与舞蹈技术之间的配合,还需要进一步的研究与实践。川剧水袖功的文化性和表演特点,使水袖产生了各式各样的水袖技艺和性格特点,总结其动因、研究其搭配方法,经过提炼转化为我所用。这不仅为中国古典舞袖舞注入了新的活力与生机,同时也为其教材教法提供了多角度的思考空间。
As an important part of Chinese classical dance training system , sleeve dance is not only the extended and reinforced training of bare hand rhyme , but also the foundation of costume dance. After many years of teaching accumulation and stage practice, more experience and achievements have been obtained in the relationship between body and sleeve. However, further research and practice are needed in terms of the coordination of two sleeves as well as sieeve method and dance techniques. Based on its cultural and performing characteristics , Sichuan opera water sleeve produces various sleeve skills and features. This paper summarizes its origin , coordination and draws some lessons for Chinese classical dance, which would rejuvenate energy and offer various kinds of opportunities for Chinese classical dance teaching methods and materials.
作者
过节
GUO Jie(Department of Chinese Classical Dance,Beijing Dance Academy,Beijing 100081 ,China)
出处
《北京舞蹈学院学报》
CSSCI
2018年第6期99-101,共3页
Journal of Beijing Dance Academy
关键词
川剧水袖功
袖法
转化运用
中国古典舞
Sichuan opera water sleeve skill
sleeve technique
transformation and application