论新疆曲子剧的形成与发展

The Formation and Development of Xinjiang Quzi Performances

清朝中后期,在内地民众屯垦戍边、开发建设新疆的进程中,陕甘一带的民间小曲传入到新疆,并与新疆多元文化不断交流、融合,形成了具有地方特点的新剧种——新疆曲子剧。中华人民共和国成立后,新疆曲子剧也参与到了社会主义新文化的建设当中。新疆曲子剧在市场经济的影响与社会现代化转型过程中处境日益艰难,然而,近年在国家非遗政策的导向下,其生存与发展又出现新的转机。新疆曲子剧的形成与发展过程,反映了近代新疆社会文化的发展与变迁,具有一定的历史价值与文化价值。

In the process of station troops to open up wasteland and people from inland provinces to develop Xinjiang in the late Qing Dynasty, folk tunes in Gansu and Shaanxi were introduced into Xinjiang, communicated constantly with and integrated into Xinjiang’s multicultural conditions. A new type of opera was formed with local characteristics, named Xinjiang Quzi opera. After 1949, Xinjiang Quzi opera was involved in developing the new socialist culture. Xinjiang Quzi opera underwent difficulties in the process of pushing forward the market economy and social modernization transformation. In recent years, however, the development of Xinjiang Quzi opera is face with new challenges under the guidance of the national intangible heritage policy. The formation and development of Xinjiang Quzi opera reflects the development and changes of modern Xinjiang’s society and culture, which has certain historical and cultural values.