摘要
将园林别业作为诗歌的题写对象出现于魏晋时期,在唐代形成规模并趋于兴盛。大量的题园诗实凝聚了唐代文人的园林审美观念,即方外之名的追求、自适生活的表达、不平与无奈的寄托。三者之间并存发展但又潜移暗化,在嬗变中完成了唐代文人园林观的多元建构。这一嬗变与建构的过程,揭示了诗歌、园林与人类生活的密切关系,同时也说明唐代题园诗有着重要的文化意义。
The garden became the side objects of poetry in the Wei and Jin Dynasties and flourished in the Tang Dynasty. A large number of such poems highlighted the aesthetic ideas of gardens in the Tang dynasty -- pursuit of the name of hermits, expression of self life adaptation and sustenance of grievance and helplessness. They coexisted and changed potentially between the aesthetic ideas of gardens. In evolution, a multi-literati Garden view came into being in the Tang Dynasty. The process of transmutation and construction revealed the close relationship between poetry, garden and human life, and at the same the important cultural historical significance in the poetry of the theme garden in the Tang Dynasty.
作者
王书艳
WANG Shu-yan(College of Language and Literature, Zhejiang University of Media and Communications, Hangzhou, Zhejiang, 310018)
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2018年第6期121-126,共6页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
教育部人文社会科学基金青年项目(15YJC751043)
国家社会科学基金后期资助项目(17FZW060)
关键词
唐代
题园诗
园林观
嬗变
建构
The Tang Dynasty
Garden Poetry
Garden View
Evolution, Construction