中国电影与西方观赏公民

Chinese Cinema and the Western Viewing Public

本文运用电影受众学、跨文化学,借鉴第二语言习得理论,提出"观赏障碍"的理念,分析了中国电影的"国际观赏障碍"和造成障碍的历史、文化和政治等错综复杂的原因,深入研究和破解这个障碍对中国电影有效走向国际是个具有实际意义而又迫在眉睫的命题。

Adopting the theory of film spectatorship and the concepts of cross-cultural studies and inspired by second language acquisition theories,this paper proposes the notion of ‘viewing affective filter.’With this notion,it examines the Chinese film Youth(dir.Feng Xiaogang,2017)and its Western response and discusses the ‘filter’of Chinese cinema in the Western viewing public.The formation of this ‘filter’is complicated and results from political,historical,and cultural factors.Therefore,it is worth studying the ‘filter’in order to explore a practical approach for the global promotion of Chinese cinema and culture.