摘要
"融合"不仅是以数字化为核心特征的新媒介技术发展逻辑,也指征了基于该技术架构的内容生产、产业调整,以及文化和社会变迁态势。这种融合趋向及其后果亦在一定程度上重构了电影生产、电影传播与电影消费的基本文化逻辑,形成了跨阈限、跨媒体、跨域界的"融电影"新模态。
"Convergence"not only means the developing direction of new media technology with digitalization as its core feature,but also indicates the content production,industry adjustment,as well as cultural and social change based on the technological framework.This trend of convergence and its consequences have also reconstructed the basic cultural logics of film production,film communication and film consumption,and formed a new mode of"convergence films"across liminalities,media and borders.
出处
《电影艺术》
CSSCI
北大核心
2019年第1期94-99,共6页
Film Art
基金
作者主持的重庆市社会科学规划项目"新传播革命语境下的媒介焦虑研究"(批准号:2017YBCB058)
中央高校基本科研业务费专项资金重大培育项目<新时代国家形象的话语实践逻辑与修辞策略研究>(批准号:SWU1809015)之阶段性成果
关键词
融媒体
跨阈限
跨媒体
跨阈界
融电影
media convergence
cross-liminalities
cross-media
cross-borders
convergence film
