20世纪早期的现代展览制度与美术大众化实践

Modern Exhibition System and Art Popularization Practice in the Early 20th Century

现代展览制度作为美术大众化的重要载体,在20世纪早期美术大众化实践中兼具"启蒙"与"救亡"双重主题。20世纪早期美术大众化在生产和传播环节,具有自上而下的性质,作为启蒙活动,美育想象的大众化实际上是一种精英活动,通过精英艺术家的身体力行,主导社会价值和引领大众审美。现代展览制度又受到现代商业社会的影响,商业社会通过艺术家的明星化和艺术品的商品化,推动美术大众化实践。

As an important vehicle for the art popularization, the modern exhibition system played the dual roles of "enlightenment” and “salvatiorT in the practice of art popularization in the early 20th ccnuiry. The art popularization in that period was a top-down cnlightenment in the production and spreading process and an elite activity in the aesthetic education system, which affected the social value and public aesthetics through the practice of elite artists. The modern exhibition system was also under the influence of the modern commercial society, which promoted the practice of art popularization by means of the artist becoming stars and rhe commercialization of artworks.