摘要
《忆松图》是戴熙创作于1847年的一幅山水画,描绘的是军机大臣祁寯藻的故乡景色。这幅作品并非画家亲历所得,且题跋表达出抑郁之情,画家真实的创作意图值得探讨。本文通过历史细节的勾连,综合戴熙作为画家、学者、官员等多重身份的相互作用,尝试揭示出其创作《忆松图》的动机,以及鸦片战争期间的政治格局之一斑。
Dai Xi in 1847 depicted the hometown of Senior Military Official Qi Junzhao in his ‘Reminiscence of Pines'(Yi Song Tu in Chinese pinyin), a traditional Chinese landscape painting. He created the picture by his fancy instead of personal experience. His gloomy feeling was expressed through the annotations. Combining historical details with Dai Xi's status as artist, scholar and government official throughout his life career, the thesis analyzes the interconnectivity reflected in the composition of ‘Reminiscence of Pines' and the relationship between the imperial court officials' factional conflicts during the Opium War and Confucianism during the late Qing Dynasty.
出处
《故宫博物院院刊》
CSSCI
北大核心
2019年第2期99-107,111,共10页
Palace Museum Journal
关键词
戴熙
《忆松图》
画意
祁寯藻
穆彰阿
党争
Dai Xi
the landscape of ‘Reminiscence of Pines'(Yi Song Tu)
the implication of a painting
Muzhanga
factional conflict