摘要
本文通过对2017年首届奥能登国际艺术节的具体案例分析,试图探讨艺术与乡村的关系。探讨艺术家和作品是如何介入乡村,乡村引入艺术的诉求又是什么。
This article attempts to explore the relation between art and the countryside by analyzing the case of the first Oku-Noto Triennale Art Festival in 2017. How the artists and works engage the rural areas and the demand of introducing art into the countryside are the major questions to be answered.
出处
《公共艺术》
2019年第1期100-105,共6页
Public Art
关键词
公共艺术
日本乡村
奥能登艺术节
public art
Japanese countryside
Oku-Noto Triennale Art Festival
