摘要
川端康成的创作一直着力于日本人感受自然、崇尚自然的精神实质,即使面对战后人心涣散、人性扭曲的日本,他也将这一精神实质延续下来,希望战后的日本回归人类生命原初阶段大自然与人类融为一体的和谐。他将战后已经"死去"的日本描绘的自救之路即重获感悟自然的能力,在人生与人情方面达到与自然的谐和统一,恢复人类本来的面目和生命原初的自信,摆脱战争带来的心理的创伤。
Kawabata Yasunari’s creation has been focused on the spirit of Japanese feeling the nature and advocating the nature,even in the face of divided, human distortion of Japan after the war, he also will continue down the spiritual essence, hope the postwar Japan’s return to the primitive human life and human nature be in harmony are an organic whole harmony. He has Japan’s "dead" in the post-war period of self-help road to regain the ability to feel natural, achieve harmony with nature in terms of life and human feelings and unified, restore the nature of human beings and the original life confidence, to get rid of war to the heart of the trauma.
作者
边萌萌
BIAN Mengmeng(Northeast Normal University, Changchun Jilin 130022,China)
出处
《吉林省教育学院学报》
2019年第3期174-177,共4页
Journal of Jilin Provincial Institute of Education
关键词
川端康成
战后初期
民族自救
Kawabata Yasunari
the early postwar period
national self^rescue