摘要
文章通过对戏剧文本《曼陀罗》中食客、修士及其他典型人物形象的分析,揭示出马基雅维利对人性与政治、道德与政治及其关系的理解,即人性恶,政治与道德、手段与目的可以分离等政治观点。借助戏剧这种既世俗又艺术的形式对马基雅维利的政治观点进行分析,有助于全面深刻地理解和把握马基雅维利政治思想。
Machiavelli painted his unique realistic political conception in his masterpiece of drama 《La Mandragola》 with a humorous style. He depicts the image of the ideal monarch as a master of the art of power who is morally above all, the religious piety cunning disguise friar hypocrisy, as well as with traditional social order of human nature. The immorality of human nature and the relationship between the ends and the means reflected the combination of drama and politics on Machiavelli's stage.
作者
严仍昱
胡晗
YAN Rengyu;HU Han
出处
《淮南师范学院学报》
2019年第1期1-4,共4页
Journal of Huainan Normal University
关键词
马基雅维利
《曼陀罗》
君主
人性
Machiavelli
《La Mandragola》
monarch
human nature