疏离与认同:白朴遗民心态下的庙堂与江湖——以《天籁集》为中心

Alienation and Identity: the Royal Court and Society in Bai Pu's Mentality of Adherents——On The Collection of Tianlai

白朴《天籁集》是其遗民心态的集中体现。对新朝荐举的拒绝,确立了他江湖身份的自我定位和价值认同,并不断强化;怀古诸作表现出深沉的历史感,这是现实创伤记忆的艺术呈现,反映出他在精神上对庙堂的疏离意识。但出于家族原因,使之与现实政治难以决裂,所以一些应酬之作往往具有与其真实心态龃龉的贺语,对于此类词作写作模式的分析,会进一步明晰其江湖心理认同的坚定。此外,对于世俗生活世界,他一面具有"玩世"之心,一面则富于深情,这都与其世事痛苦体验的深刻性与江湖寄身的生命动荡感相关,与其遗民心态是一致的。

The Collection of Tianlai is the reflection of Bai Pu’s mentality of adherents.He refused the recommendation of the court,showing his self-positioning and value identification in the society which is constantly strengthened.The sense of history that expressed in his works cherishing the past is the artistic presentation of the traumatic memory,which also reflects his alienation from the court.Because of his family,it is difficult to break with the court,so some of the works are contradictory with his true inner feelings.The analysis of the writing mode of such works will further clarify his value identification.Besides,for the worldly life,he is both cynical and affectionate,which is related to the miserable life experience and the sense of turmoil living in the society,and is still consistent with his mentality of adherents.