山西稷山青龙寺腰殿水陆画新探

A New Exploration of Water and Land Painting in Qinglong Temple,Lushan,Shanxi Province

山西稷山青龙寺腰殿水陆壁画是山西境内保存较为完好、时间最久的水陆画,有较高的研究价值。将壁画以简图的形式呈现出东、西、南、北壁的神祇方位和壁画内容,对前人研究中的疏误加以更正,并根据壁画的色彩运用和构图方式确定其绘制年代。同时,分析青龙寺水陆画的艺术特征,结合《天地冥阳水陆仪文》和密教"曼荼罗"法场图,探究水陆法会的起源。

The wall painting of the waist and surface of Qinglong temple in Jinshan,Shanxi province is a well preserved land painting with the longest time and has high research value. This paper presents the divinities and murals of the East, West, South and North wall in the form of a simple diagram, and corrects the mistakes in previous studies, and determines the drawing age according to the color application and composition of the murals. At the same time, the article analyzes the artistic characteristics of the surface painting of Qinglong Temple, and explores the origin of the surface painting association by combining the text of the surface painting of the earth and the earth with the map of the " Mandala".