多重空间的实现,抑或建造一处场所?——斯维勒·费恩两座早期展馆的比较研究

Construction of Spaces, or Constructing a Place? A Comparative Study on Two Early Pavilions of Sverre Fehn

布鲁塞尔博览会挪威馆和威尼斯双年展北欧馆是斯维勒·费恩的早期作品。通过发掘历史资料,分析比较了两个项目的材料、结构、预制组件及建造,也联系这些因素与设计意图的互动,并对比它们对最终品质的影响。揭示出挪威馆以空间的实现为目标来控制材料、结构及建造,但带来矛盾与模糊,而北欧馆以建造为先,却塑造了清晰、和谐与多义的场所。这一设计重心的演变帮助建筑师摆脱先例,迈向自主与成熟。

This investigation intends to reveal a subtle constructional and spatial transformation from the Norwegian Pavilion at the World Exhibition in Brussels to the Nordic Pavilion at the Venice Biennale by Pritzker winner, Sverre Fehn. Fehn’s drawings,materiality, structure and construction of the two cases are analyzed. Their association with the design intention are examined and compared too. In the Norwegian Pavilion, the primary intention was to realize a pre-existing spatial idea, but causing the contradiction in construction and ambiguity of spatial intention. However in Nordic Pavilion, Fehn conceived "construction" in the early stages, harvesting a clear, harmonious and multifaceted place. The evolution of key design focus was a crucial step to extricate Fehn from dependency to Mies and move towards autonomy and maturity.