壮文小说发展简况及其原型叙述

A Brief Introduction to the Development of Cuengh-novels and the Archetypal Narrative

壮文小说是壮文现代写作的主体,其发展大致经历了20世纪五六十年代以小小说为主的萌芽期,20世纪八九十年代以中短篇小说为主的繁荣期和2000年以后长篇小说登场的持续发展期。壮文小说的自我现代性集中体现在壮文小说中的"花·女性"原型和"石头·男性"原型的现代呈象。在现代社会下此文化原型既有继承,也有置换或变形,也即其文化恒定性与变异性同在,它体现了壮族文化主体的乡土守望与现代反思。

The Cuengh-novels are the subject of modern Cuengh- writing,which have roughly gone through the germination period of small fiction in 1950s and 1960s,the prosperity period of middle and short stories in the 1980s and 1990s,and the sustainable development period of novels launched after 2000.The self- modernity of Cuengh-novels focus on the modern images of flower-female and Stone-Male Prototypes in Cuengh-novels.In modern society this cultural prototype has inheritance,replacement or deformation,that is to say,its cultural constancy and variability coexist,which embodies the local watch and modern reflection of the cultural subject of the Zhuang nationality.