摘要
祖图在浙南畲民的信仰观念中是具有"神级"差异的仪式法器,主要用于祭祖、传师学师及做功德三大仪式空间的营造。此类神圣空间的营造是从纸本材料的准备开始,并由"剪道场""帖道场"及"扮道场"构成。此后的安祖是对祠堂六宝,尤其是祖图与香炉的秩序安放,是整个神圣空间得以定型的关键因素。祖图作为具有叙事特征的图像集合体,它在构筑神圣空间的过程中,必按照世传规则进行布列,而这种立体组合,则形成了一种特殊的叙事结构——"主题-并置"的多维性空间叙事模式。
Zutu which is a kind of ceremonial appliances has a divine-hierarchic difference of beliefs of She people in South Zhejiang that is used to construct ritual spaces of ancestor worship.The construction of such sacred spaces begins with the preparation of paper materials,consists of “Cutting the Dojo”,“Sticking the Dojo” and “Decorating the Dojo”.After this,Anzu which is to put the Six Treasures of Ancestral Hall,especially Zutu and Incense burner,is the crucial factor in shaping the whole sacred space.As a collection of images with narrative features,Zutu must be arranged in accordance with the rules of heredity during the construction of sacred spaces,and this three-dimensional combination forms a special narrative structure: multidimensional space narrative model of Topic- Juxtaposition.
作者
孟令法
MENG Lingfa(School of Social Development,East China Normal University,Minhang,Shanghai 200241,China)
出处
《河池学院学报》
2019年第1期37-49,共13页
Journal of Hechi University
基金
国家社科基金一般项目"畲族民间文献的历史人类学研究"(15BMZ026)
国家社科基金重大委托项目<中国史诗百部工程>子课题"畲族史诗<高皇歌>"(SS2016011)
关键词
主题-并置
空间叙事
神圣空间
仪式道场
祖图
畲族
Topic-juxtaposition
space narrative
sacred space
ritual field
zutu
She people