摘要
日本"无赖派"代表作家太宰治的文学作品中,有《女生徒》《维荣之妻》《斜阳》等16篇以"女性独白"形式创作的小说。这些作品大都集中发表于太宰治文学创作生涯的中后期。"女性独白"的创作手法成为太宰治摆脱前期颓废不堪的生活状态和濒临崩溃的文学创作所采取的一种有效方式。然而,太宰治试图通过女性独白体小说重新构建的自我,最终却以同样的方式走向背离,遭遇解构。现实与虚构世界对太宰治施以的双重否定,预示着其人生和创作终将走向诀别和毁灭。
Osamu Dazai is considered as one of the foremost “Buraiha” writers in Japan. There are 16 novels written in the form of “female monologue” among his works, such as Schoolgirl, Villon s wife and The Setting Sun . Most of them were published in the middle or later period of his literary career. The creative technique of “female monologue” is an effective way for him to get rid of the decadent state of life and the verge of collapse in his literary creation. Although he tries to reconstruct himself by “female monologue”, it falls away and is eventually deconstructed in the same way. The double negation to him from both the real and the fictional worlds indicates the downfall of his life and literary creation.
作者
王秀娟
WANG Xiujuan(School of Foreign Languages, Tianjin University of Commerce, Tianjin 300134, China)
出处
《鲁东大学学报(哲学社会科学版)》
2019年第2期67-72,共6页
Ludong University Journal:Philosophy and Social Sciences Edition
关键词
太宰治
女性独白体
自我重建
解构
Osamu Dazai
female monologue
self-construction
deconstruction