摘要
清代名僧六舟以拓片形式制作的锦灰堆《百岁图》是一件十分独特的作品。在作品完成之后大约20年间,六舟及其朋辈题写了 12条题跋。按照书写的先后次序细读这些题跋,可以了解时人对于锦灰堆这种艺术形式的看法,得以窥见19世纪中国艺术之丰富。
The Qing Monk Liuzhous ‘Longevity PictureJ (Bai Sui Tu in Chinese pinyin) shows in the style of 'Jinhuidui: which is an art form composed of assembled broken 让ems usually described as 'a pile of brocade *ashes in the picture. In the painting there are twelve pieces of comments written by Monk Liuzhou and his friends in the 20 years after it was completed, they well reflect the peoples opinions towards the art form of ‘Jinhuidui' at that time and the divers让y of art forms in the 19th century of China.
出处
《故宫博物院院刊》
CSSCI
北大核心
2019年第3期18-37,109,共21页
Palace Museum Journal
关键词
六舟(释达受)
锦灰堆
《百岁图》
Liuzhou (Monk Yao Dashou)
'Jinhuidui'
' Longevity *Picture (Bai Sui Tu)
