复古与通变:清中叶礼乐诠释的两种路向——以汪烜、江永为中心

Retrospective or Flexible:Two Different Interpretations of Musical Etiquette by Xuan Wang and Yong Jiang in the Mid Qing Dynasty

随着清代学术的转型,考据学成为清中叶一种新的学术形态。清代的一批儒者针对宋明理学的空疏流弊进行反思,形成了一股新的学礼、习礼的社会思潮。清中叶徽州婺源二儒汪烜和江永皆为徽派的代表人物,然两人的学术取向有所不同,对于礼乐的解读,汪烜表现为复古,而江永则表现为通变。由此,通过此二人的个案分析,可以窥探其礼乐研究的异同,同时亦可见出清中叶的礼乐学术发展态势以及徽州礼学的研究特点。

Within the academic tradition of the Qing dynasty,philology became a new academic trend in the mid Qing dynasty.A group of scholars reflected on Neo-Confucianism and formed a new school of learning and practice rites.During the mid Qing dynasty,Xuan Wang and Yong Jiang from Huizhou Wuyuan region were representatives of the Hui school.However,they provided different interpretations of the Etiquette-Music culture:Xuan Wang was retrospective and conservative,while Yong Jiang was flexible.Through case studies of these two scholars,this paper considers the similarities and differences between their accounts of the Etiquette-Music culture,in order to indicate the trend of research about Etiquette-Music culture in the mid Qing dynasty,and the characteristics of Huizhou school's approach to Etiquette-Music Culture.