摘要
本文系对理查德·塔鲁斯金的多卷本巨著《牛津西方音乐史》中两个具有历史意义的论点(亦可以说是观察视角)的延伸与阐发。一是中世纪在整个欧洲(西方)音乐史中的历史定位;二是中世纪音乐实践中"口传"与"文本"两大传统的关系。对这两个问题的深入理解,最终都指向了欧洲音乐文化的特殊性,而非普遍性,并且触及到了作为现代西方文明源头的天主教欧洲的某些本质特征。
This paper is a further discussion and analysis of two historical arguments and perspectives mentioned in The Oxford History of Western Music by Richard Taruskin.One is about the historical position of the medieval period in European/Western music history,the other is the relationship between oral tradition and“text”in medieval music practice.It aims to point out the particularity of European music culture rather than its universal features,and touch upon some essential characteristics of Catholic Europe as the source of modern Western civilization.
出处
《音乐文化研究》
2019年第1期140-148,M0004,共10页
Music Culture Studies
