中国新诗演进的多维激变奇观

The Multidimensional Change of Chinese New Poetry Evolution

在中国新诗百年演进的历史途程中,1949-1981年是一特殊阶段,乃有演进的多维激变奇观。有着同样的大陆而宝岛又留洋的生活经历的居住台湾的三位中国新诗人:余光中、洛夫和痖弦。余光中以四维乡愁的吟唱者称著,实则以"纳古典入现代,藏炫智入抒情",更儒雅风流,百变千面以成其大。洛夫号称"诗魔",既勇于"意象奇险,诗思艰涩"超现实主义的先锋探索;又潜心对中国古典诗词的创造性继承,终以斑斓七彩自成其大。痖弦又自显"如歌行板"的独特,且善于转益多师,却在选题、构思、造像、抒情、蕴意、遣词上,无不打上自己的独家印记,以自居于小而成其大。

In the course of the hundred-year evolution of Chinese new poetry, 1949-1981 is a spe. cial stage, which is a multi-dimensional change of evolution. This paper will take the example of three Chinese new poets as Yu Guangzhong, Luo Fu and Ya Xian, who have experienced life in mainland, Taiwan and abroad. Yu Guangzhong is known as a four-dimensional nostalgic singer. He conceals clas. sical elements into modern emotion expression with hidden wisdom, which shows more refined and ele. gant with a wide variety of aspects. Luo Fu, known as“poetry king”, is not only dare to pioneer explo. ration of surrealism, but also devotes himself to the creative inheritance of Chinese classical poetry, and eventually becomes a greatest poet for colorful aspects. Ya Xian, though is good at turning to many teachers, always makes his own exclusive mark on topics, ideas, images, lyrics, implications and wording, so that he become a great poet for claiming himself not a patch on the others.