东亚美术对青春风格画派的影响

The Influence of Eastern Asian Fine Arts on the Modern Style School of Painting

作为现代主义绘画运动于19世纪末20世纪初出现的一个重要画派,青春风格画派受到了东亚美术(中国和日本)的重要影响。克里姆特早期(所谓的金色时期)深受日本着色版画影响,后期深受中国美术的影响。对此不仅有大量文献资料可以佐证,而且作品语汇也毋庸置疑地展现出这一点。同属青春风格画派的其他画家对东亚美术的热衷虽没有克里姆特来得直接和具体,但其作品语汇同样展现出东亚影响的痕迹,比如艾贡·席勒、赫德尔等。青春风格画派正像印象派、纳比派那样,在画法创新上明显受到了来自东亚美术的启示,他们将由这个启示而来的约减发展成约减至动感线条,约减至内在生命律动,从而自成一派,在现代画史上稳稳站住了脚。

As an important school of painting in the movement of modernist painting that arose in the late 19 th and early 20 th century, the modern style school of painting was influenced greatly by the Eastern Asian fine arts (China and Japan).The early Klimt (so-called golden period) was deeply influenced by Japanese colored wood block and later by Chinese fine arts. This is evidenced by numerous literatures as well as the languages used in the works. Although the enthusiasm other painters in the modern style school of painting have for Eastern fine arts are not as directly and specified as Klimt, the language in their works also shows the influence of Eastern Asia, such as Egon Schiele and Hodle. Similar to impressionism and Nabis, innovation in the techniques of the modern style school of painting was influenced obviously by Eastern fine arts. They developed the simplification into simplified lines and inner rhythm, so that this became a unique school that is well established in the history of painting.