汨罗龙舟文化旅游审美客体建构

The Esthetic Object Construction of Miluo Dragon Boat Culture Tourism

湖南汨罗龙舟文化的民俗活动和举行地的自然景观含有丰富的感官休闲元素,它的祭祀仪式和举行地的历史建筑含有密集的屈原文化的感官符号和意义符码,它的生成与发展具有了解屈原传说和龙舟知识的认知过渡,也具有领悟、反思屈原精神的审美高度。从这样的角度来分析,汨罗龙舟文化的旅游资源具有层次丰富的审美内涵,也存在屈原悲感文化与民俗休闲动机之间的冲突,存在感官愉悦淹没深层审美的危险。因此,有必要移置相关活动的举行地点和时间节点,强化民俗休闲发生地屈原文化感官符号的表征作用,在保证充足民俗休闲的基础上,保证必需的历史文化过渡和精神升华,形成以乐享生态民俗、探寻屈原精神为主题的汨罗龙舟文化旅游审美客体。

The folk activities and the natural landscape of the Miluo Dragon Boat culture in Hunan contain rich elements of sensory leisure. Its sacrificial rituals and historical buildings contain dense sensory symbols and meaningful codes of Quyuan culture. Its generation and development have the cognitive transition of understanding Quyuan’s legends and knowledge of Dragon Boat, and the aesthetic height of understanding and reflecting Quyuan’s spirit. From this point of view, the tourism resources of Miluo Dragon Boat culture have rich aesthetic connotations. There are also conflicts between Quyuan’s tragic culture and folk leisure motives, and there is a risk that sensory pleasure drowns out the deep aesthetic. Therefore, it is necessary to relocate the venues and time nodes of related activities, strengthen the representation of Quyuan cultural sensory symbols in the place where folk leisure takes place,ensure the necessary historical and cultural transition and spiritual sublimation on the basis of adequate folk leisure, and form the aesthetic object of Miluo Dragon Boat cultural tourism with the theme of enjoying ecological folklore and exploring Quyuan Spirit.