非传统语境下的诗歌实践——论廖恩焘的《嬉笑集》

On the Poetry Writing in Non-traditional Context——The Banter Written by Liao Entao

近代廖恩焘以粤语写就的七言律诗集《嬉笑集》,在诗学观念上秉承现实主义精神,与传统诗歌构成了异形同质的关系;在艺术表现上则对诗歌传统进行反叛与颠覆,呈现出试验性特色。在诗歌节奏上,充分发挥白话散文句法的多变性,结构多样;在语言使用上,打破文言书面语与粤语方言的界限,使不同语境下的语言相互渗透;在立意构思上,化雅为俗,以普通百姓的视角和心理重新解构历史人物与事件。作为一种非传统语境下的诗歌文本,《嬉笑集》以广州地方文化和粤语为依托,基本疏离了古代诗歌的文化传统而具有自身鲜明的风格和个性,为旧体诗的发展呈现出一条不同于杂取新名词以入诗的道路。

The collection of heptasyllabic verse The Banter written by Liao Entao is so realistic that it has the same literary spirit with traditional poetry.Its artistic expressions,however,deviate from artistic expressions of Chinese ancient poetry.There are three points about the pioneering characteristic of The Banter:adopt varied syntax of vernacular prose,make Cantonese infiltrate into the classical Chinese written language,deconstruct historical persons and events through urban petty bourgeois'eyes and minds.As poetry writing in non-traditional context,which is about local culture in Guangdong and Cantonese,The Banter presents for future development of traditional poetry in a way,which is different from larding traditional poetry with some modern words.