摘要
中篇小说集《红豆生南国》在延续王安忆小说创作反高潮表征下,隐藏着逃逸现实的巨大欲望。德勒兹认为,写作在形成逃逸线时产生绝对生成,推动着文学世界的创新、演化和变异。三个中篇延伸出三条各异的逃逸线并构成共同的事件内核,人物则在逃逸中生成、解辖域和揭示生命的迂回。王安忆正是通过书写感觉的变化之流,重塑读者看待经验的方式和感受,使我们持续感知生成并产生变化,从而"看见"事物本身及真实世界。
The novelette Red Bean Raw Southern contains a great desire of escape from reality and continues the characteristics of Wang Anyi's style of anti climax fiction-creation.Deleuze considers becoming comes from a line of flight,which emerge from the process of writing,promoting the creation and variation of literature.Three novellas extend three different lines of flight which form the same core event.Characters are becoming solution jurisdiction,revealing the complication of life.Through the description of the flow of feelings'change,Wang Anyi rebuilds the way readers view the experiences and feelings.The readers are feeling and becoming.Then they can truly see the thing itself and the real world.
作者
吴舒婷
梁抒曦
WU Shuting;LIANG shuxi(College of Humanities, Shunde Polytechnic, Shunde, Guangdong, 528300, P.R.China)
出处
《广东第二师范学院学报》
2019年第2期63-70,共8页
Journal of Guangdong University of Education
关键词
逃逸线
生成
欲望
德勒兹
《红豆生南国》
a line of flight
becoming
desire
Gilles Deleuze
Red Bean Raw Southern